Showing posts with label Grant Morrison. Show all posts
Showing posts with label Grant Morrison. Show all posts

Thursday, January 29, 2009

Final Crisis

by Grant Morrison, JG Jones et al; published by DC Comics

I originally started writing this as a comment on David Uzumeri's post on issue 7 over on Funnybook Babylon when it got way too long and digressing. Now that I've had a little time to digest the whole of Final Crisis (minus Legion of Three Worlds, obviously), I find that the channel surfing style I've seen mentioned on the internet makes it feels like Morrison tried to emulate how every other capital-C capital-E Crossover Event ties in to every other book in the line, only this time DC never bothered to publish (or even plan to ever have) most of the tie-ins.

Take Aquaman - clearly, the currently running Aquaman ongoing series tied in to Final Crisis and told the story of Arthur's return to Atlantis in its hour of need, except - oops, that title doesn't even exist and was probably never even going to. Mr Terrific & his OMAC Army getting from Antarctica in Resist back to the Castle (and what happened to the OMACs until #7)? Checkmate #32 and #33, also never even conceived.

Despite my snarkiness, this works for me. The DC Big Events used to only last for one month, so the only time I was old enough to have the money and young enough to not have something better to spend it on than a comic book event and every tie-in issue was DC One Million (competing would have been things like Metal Gear Solid), which even then still had a few gaps in it (although that annoyed me at the time - "I GOT EVERYTHING AND YOU *STILL* DIDN'T SHOW ALL THE TITANS ESCAPING THE ROCKET RED SUITS?" - so part of me understands some of the complaints I see on the internets), so any other event I've ever read always has such gaps. What DOES bother me are the ways what ought to be major events are unclear - is Mr Terrific dead? (I don't think he is...) Hawkman and Hawkgirl? (I think so...) Final Crisis is magnificent and the rapid-fire quick cutting works, but simple failures in storytelling - in clearly showing what ought to be seen - keep it from being perfect.